I want you, I need you
I want you, I need you
(Source: lukekirbys, via tylergfoster)
“To have compassion as an actor is to have compassion for the characters that I play. That’s what it means to me. And whatever they’re going through, whatever their predicament, I have to suffer with them. I have to understand, I have to not judge it. I have to be forgiving of it. To have compassion for a character is no different from having compassion for another human being. If you’re playing a character, to have compassion for him is to play them honestly. And so I suppose, suffering with them is to suffer their arrogance, or their misogyny, or their insanity.”
(via tomhiddles)
He had a cigarette dangling out of his mouth, and he had on these really intense aviator shades and his hair was all tousled and he was like, ‘Hey, dude.’ Then he walked onto the sound stage, and the cigarette gets stamped out and the glasses come off and someone runs a comb through his hair, and the guy is suddenly an early-nineteenth-century-priest. It was the most transformative moment — it took my breath away. Joaquin is someone who could slide by you in the hallway, but aim a lens at him and he becomes thirty feet tall. Joaquin is genuine, with access to absolutely volcanic emotion places in his soul. —Playwright Doug Wright
(Source: mattybing1025, via bellecs)
(Source: e-pic, via formerly-deannmartin)